Nicola Florimbi’s Paintings Are Unsettling and Necessary
Her depictions of individuals in settings that seem both out of time and of this moment represent one of many engaging paradoxes.
Her depictions of individuals in settings that seem both out of time and of this moment represent one of many engaging paradoxes.
Her photographs showcase an intensely physical side of the city: breaking down boxes to dance upon, spray-painting subway cars.
A new book maps the network that allowed Douglas Latchford to violently rip Khmer statues from their homes and funnel them into Western institutions.
The artist challenges the status quo of postmodernism, not by knocking it over but by slyly subverting it.