L.A. joins ranks of cities with ‘ghost towers’ with graffiti-covered Oceanwide Plaza
Decaying high-rises in L.A. — as well as Pyongyang and Caracas — represent the limitations of technology and grand building schemes.
Decaying high-rises in L.A. — as well as Pyongyang and Caracas — represent the limitations of technology and grand building schemes.
At a time in which women’s bodily autonomy is constricted, the ‘cool auntie’ offers a model of glamorous independence — and a counter to the ‘tradwife.’
Architect William Pereira’s 1973 Times Mirror building in downtown L.A. makes a special appearance in Netflix’s ‘Griselda’ as a signifier of cocaine excess.
‘The Settlers’ and ‘White on White’ explore the role of film and photography in a brutal era of South American history.
A book and a preservation effort at the Getty put a lens on conservation. Plus, a Black stage actor sues for discrimination, in our weekly arts newsletter
AI is swallowing art — high and low — whole. Plus: a shocking turn in a Nazi-looting case and challenging gender in dance, in our weekly arts newsletter
The debut novel ‘Dead in Long Beach, California,’ is a sharp, dazzling turn for Compton-raised author Venita Blackburn, who made her name with lightning-fast fiction.
Work by Carolyn Castaño and a show inspired by cabinets of curiosities offer subversive delights. Plus, art at the Huntington and the Cheech, in our arts newsletter
Work by Teddy Sandoval at VPAM and a multigenerational exhibition at the Cheech dig into queerness, gender and the politics of the body.
Perelman PAC and Lincoln Center’s Geffen Hall — New York performance spaces addressing intricate technical needs — are uniting artists and audiences.
A visually striking opera about Frida Kahlo and Diego Rivera. Plus the art of WWI and stained glass in honor of civil rights, in our weekly arts newsletter
New stained glass by Marshall in honor of peaceful protest — along with a poem by Elizabeth Alexander — replace a 1950s tribute to Confederate generals
The Hirshhorn presents work from Simone Leigh’s acclaimed Venice Biennale installation. Plus, Aubrey Plaza takes the stage off-Broadway, in our arts newsletter
“Not surprisingly, the record labels aren’t rolling over.”
(I’ve said this in the past but I don’t want artists dying to be only time I actually write new content. I guess I don’t spend enough time giving flowers to the living; I really need to work on that. –O.W.) I always feel awkward…
Taking new publicity photos requires intention and purpose.
Learn about the dos and don’ts, common misconceptions, and when to open up your network to others in this comprehensive guide.
50 is phony, but not in the way you might think.
“Give the flowers to the living” (or, in this case, daisies I suppose). I’m appreciative to URB Magazine for many reasons, not the least of which is that they gave me the opportunity to interview and profile some of my heroe…
Meanwhile, Rihanna shined bright like a diamond last night.
She’s taking on Young Thug and Donald Trump—and she might get results.
I recently published my first freelance piece for 2023, a Los Angeles Times profile of Thes One and how he put together, Farewell, My Friend, a beautiful elegy for his PUTS partner, Double K, who passed away two years ago. (Listen // Buy) It’s be…
On his loosie cut “procrastination (broke),” he struggles with writer’s block yet sounds as inspired as ever.
“Super Gremlin” was one of the definitive rap songs of last year, how does that square with the rapper’s history of ugly comments and sexual crimes?
The DA didn’t have much of a case against Gunna, but they do have one on Thug.
Her EP isn’t selling well, and everyone from DJ Vlad to Joe Budden to Sonny Digital and Hitmaka think they know how to fix it.
Also, how 2022’s breakout rap star GloRilla fits into the conversation.
This is Best Rapper Alive, a newsletter about answering the most important question: Who is the Best Rapper Alive?
This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a placeholder for people who need some type to visualize what the actual copy might look like if it were real content. If you want to read, I might suggest a good book, perhaps Melville. That’s why they …
This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content. If you want to read, I might suggest a good book, perhaps Hemingway or Melville. …
This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content. If you want to read, I might suggest a good book, perhaps Hemingway or Melville. …