ROYGBIV: Julio Torres’s Color Theories and the art of curatorial comedy 

OVER THE PAST DECADE, Julio Torres has perfected the art of curatorial comedy, a term I’ve just coined. This is a highly sophisticated brand of object-oriented, narrativized humor whose deadpan subtlety makes it categorically distinct from the blunt physicality of straight-male-dominated prop comedy. Ultimately a mode of ekphrasis, Torres’s approach recalls a precocious child opening […]